@0    = ~Ooh, go on. Did you manage to get the book back?~
@1    = ~Yeah, but it was skin-of-the-teeth time. The dog almost chewed off my arm!~
@2    = ~What kind of dog was it?~
@3    = ~Retriever.~
@4    = ~A retriever wouldn't be so vicious! Trust me, I know. Get on with the story.~
@5    = ~So the dog almost chewed off my arm, and...~
@6    = ~You're grinning. What is it?~
@7    = ~Don't think I haven't noticed how close you're standing.~
@8    = ~Dogs do that. Get on with the story.~
@9    = ~What? Why're you looking at me like that?~
@10   = ~Don't think I haven't noticed how close you're standing. You're getting transparent in your old age.~
@11   = ~D'you want me to move?~
@12   = ~Oh, no, don't dream of it.~
@13   = ~Olfshki or Wolosenko? Hmmmm...~
@14   = ~You're talking to yourself again, and it makes even less sense than what you normally say. What's up?~
@15   = ~I'm trying to work out whether Dmitri's soliloquy should follow Olfshki's or Wolosenko's narrative philosophies.~
@16   = ~Here, have a peruse.~
@17   = ~Hey, thanks! So...okay, we've got Dmitri, and we've got Yana, and they're...oh, my!~
@18   = ~So you see my dilemma.~
@19   = ~I never thought I'd see THAT onstage. And I've seen a lot. The important thing is...~
@20   = ~I know, I know, that's the problem. Wolosenko advises binding the voices and stage-position side-by-side so they form the parallel model, but Olfshki goes for a more post-Zerunian approach, with a touch of--~
@21   = ~...is Yana pretty? And are they naked? Hey, don't get all 'oh, my intellect needs no such trappings'. Nudity sells!~
@22   = ~Aaiee! Your prurience will be the death of me. Away, get away!~
@23   = ~What's that you're scribbling, there? And how in the hells d'you manage to walk and write at the same time like that?~
@24   = ~How "in the hells" do you manage to walk and talk at the same time? It's a question we all ask at some point in our lives, isn't it: does Faren have any cognitive--~
@25   = ~Hey, I don't mind if you don't want me to see it. Was just wondering what it was - no call to get stroppy.~
@26   = ~I wasn't stroppy, I was defensive. There's a difference - which you'd know, if you'd had any schooling. Maybe I just don't want you to know that I'm writing...love poetry! To you!~
@27   = ~Okay, okay! I won't ask next time.~
@28   = ~Okay, okay, so then what'd she say?~
@29   = ~...she said I was selfish! Me! Selfish! Oh, yeah, and what was the other word? Socio...sociopathic, that was it. Gimme that bottle.~
@30   = ~Sebastian! Are you drunk?! Faren, did you actually get him to drink?~
@31   = ~I am not drunk! I am having a drink with my dear friend Faren here. I for one am an excellent role model.~
@32   = ~Here you go, Sebastian, 's good stuff. Your cousin doesn' sound too nice.~
@33   = ~Yeah, she's a bitch. Or should I say a snake. Ha!~
@34   = ~Your puns aren't up to much to<DAYNIGHT>. Don't listen to him, Faren, Alexandra's lovely.~
@35   = ~I swear, I've never seen him like this before. If you prod him, will he fall over?~
@36   = ~We could always try...~
@37   = ~You had enough, there? You're looking kind of pale.~
@38   = ~No, no, no, I'm good. Tough as old boots, isn't that what you like saying?~
@39   = ~Okay, if you're sure. So go on with the story?~
@40   = ~Yeah, what was the other word she said I was? Selfish and -- socio...sociopathic, that was it.~
@41   = ~Um...great. That's great.~
@42   = ~Ugh, 'm so tired. You want to stay with me tonight?~
@43   = ~Uh - Sebastian, can you move your hand? That's really not a great idea.~
@44   = ~Nice Faren with your morals. All right, all right. I'll go to bed. See you tomorrow.~
@45   = ~Yeah, sleep it off. You'll feel better, I'm sure.~
@46   = ~That'll be the day. But thank you. Thank you lots.~
@47   = ~...and if a barmaid asks to give you a hug 'cause you're a sweet kid, don't do it.~
@48   = ~What? Why shouldn't I?~
@49   = ~Because she'll probably pickpocket you. Now, if she wants to ruffle your hair, that's another matter. It means she's interested.~
@50   = ~Really? But I thought they were interested because it's a funny colour, not--~
@51   = ~Oh, this is so embarrassing! What shall I say? Will they--~
@52   = ~Are you kidding? Okay, what you do is put your head on one side and say 'I'm not from round here, can you show me some good places to go?' Then--~
@53   = ~Hmmmm? What's all this? Faren, are you corrupting my Andrei?~
@54   = ~Don't worry, Sebastian, I could never be as bad as you.~
@55   = ~Oh, my fragile soul! Whoever will take care of me in my old age when Andrei is off gallivanting with common strumpets?~
@56   = ~Please, do me a favour and never say the phrase 'common strumpet' again. So, Andrei, before your aged cousin so rudely interrupted us...~
@57   = ~It must have been awful not having anyone stand up for you in Trademeet. I can't imagine how lonely it must have felt.~
@58   = ~Ah, it wasn't so bad. I felt annoyed, I guess, but I'm fine now.~
@59   = ~But even your friends didn't bother telling people you were all right! It's so unfair!~
@60   = ~We-ell...turned out they weren't such good friends, didn't it?~
@61   = ~It's still wrong.~
@62   = ~These things happen.~
@63   = ~Oi, stop glaring like that. I don't want you going dark on me. I can try and hit you, if you like, and you can see if you can move out of the way.~
@64   = ~I...think that would be a good idea.~
@65   = ~Okay. Hai...ya!~
@66   = ~And then you slide the coin this way - aaargh!~
@67   = ~Here you are. Try again, maybe it'll work this time?~
@68   = ~I think the third time in a row, I'll have to accept I can't do coin tricks, let alone teach someone them.~
@69   = ~No, no, I'm sure it'll work. Hang on...maybe if I...aha!~
@70   = ~Hahaha! I fail hilariously badly and the tyke picks it up in a second. Typical.~
@71   = ~Okay, <CHARNAME>, time for a chat. I'm sorry to be bringing this up now, but there's not going to be a better time.~
@72   = ~I know as well as you do that Sebastian's a pretty...forward kind of guy and, hells, he is attractive, but the way you've been acting seems more than that.~
@73   = ~This thing with Sebastian. He puts himself about like he's all that, and, hells, I get that he's attractive, but it's making me uncomfortable.~
@74   = ~There something you want to tell me?~
@75   = ~Things have been difficult for him, Faren. I want to cheer him up.~
@76   = ~I've been thinking, actually. I'd prefer to get things serious with Sebastian.~
@77   = ~I like being affectionate with my friends, but it's nothing more than that.~
@78   = ~Do you really feel threatened by Sebastian?~
@79   = ~I'm sorry, Faren. I'll stop behaving that way if it's a problem for you.~
@80   = ~Yeah, see, I get that, but there's a line between cheering someone up and wanting to get into their breeches. I think Sebastian wants something more than that.~
@81   = ~Well, whatever. If you think he'll be more fun than me you're welcome to--~
@82   = ~But...but you said...~
@83   = ~Fine. You think he'll be more fun than me, you're welcome to him. Just make sure you don't catch anything.~
@84   = ~Oh, dear, my ears are burning. What's this kerfuffle?~
@85   = ~<CHARNAME> was just saying <PRO_HESHE> wants to get it on with you. Know anything about that?~
@86   = ~Me? Oh, heaven forfend. <CHARNAME>, you've completely got the wrong end of the stick - if you'll pardon the expression. Don't let me get between you and your hard-drinking friend, here.~
@87   = ~What? Sebastian, why would you lead me on like that?~
@88   = ~I think this is a good time to say that I don't want to be with you, Faren.~
@89   = ~This is embarrassing. Faren, can you forget I said those things?~
@90   = ~Would this be a good time to say I would totally be up for a three-way?~
@91   = ~You do know he's crazy, right? Have you seen the way he looks at people now? <CHARNAME>, seriously. I think there's something wrong with him.~
@92   = ~You can't control what I do. I know what I want.~
@93   = ~Maybe this was a mistake. Can you forget I said anything?~
@94   = ~We could always...all get on together.~
@95   = ~<CHARNAME>. Seriously. When I talk to him I don't know whether he's going to burst into tears or take a swipe at me. It's not a good idea to get involved with him. Do you not get that?~
@96   = ~And me! Do I not get a say in this? What the hell can he give you that I can't?~
@97   = ~I get you. I like being affectionate too, but I'm getting the feeling Sebastian wants something more.~
@98   = ~Maybe I want something more, too.~
@99   = ~No, of course not. It's just, I get a feeling from it that I don't like.~
@100  = ~Yeah, actually I do, with you making eyes at him every second of the <DAYNIGHT>. Did you think I wouldn't notice?~
@101  = ~Thank you. I'm sorry to have to ask, but it's set my mind at rest.~
@102  = ~Oh, my chickadee, I think you need to learn a little more about the ways of the world. Just because someone responds well when you prod them - so to speak - it doesn't mean they want to, I don't know, back you against a tree or something.~
@103  = ~Sorry, Faren? Was that a laugh I heard? You had something to add?~
@104  = ~Nope, just clearing my throat.~
@105  = ~You're kidding, right?~
@106  = ~Oh. Fine, then. Guess if that's what you want, that's how it's going to be.~
@107  = ~With pleasure. Come on, let's get going.~
@108  = ~Oh, my chickadee, you're a scream. I have more important things to do than cavort with a Bhaalspawn and <PRO_HISHER> delightful boy-toy, I'm afraid.~
@109  = ~Fine. You think you'll have more fun with him, you're welcome to him. Just make sure you don't catch anything.~
@110  = ~Yeah, you're hilarious, <CHARNAME>. Come here, so he can't eavesdrop.~
@111  = ~Listen, you know what? Any other time, I might even be interested in taking you up on that. But not with him. He's not right in the head, and I don't think he ever was, really.~
@112  = ~So what do you want to do?~
@113  = ~So - <CHARNAME>, I'm sorry if you gauged a wrong impression, but frankly, you're too young for me, and I don't go for scions of a dead god.~
@114  = ~Well - that's that sorted out.~
